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Composition: Sacred Choral

On the same day as my last post, my church choir had spent much time learning something that I consider a little more difficult than my average piece.  Originally, Panis Quem Ego was written for the Duquesne organ department choir for one of the chapel Masses that we do.  I didn’t record the original performance, but the piece is a little more tricky than  what my choir is use to.  But they learned it well and sang it well.

There is one mistake (well, there are several, but I’m only going to point out one).  At the end of the piece, the word “vita” is sung.  One of my sopranos accidentally added an “s” to the end of it.  There are a few other blurbs, but I really like this piece and this recoding is pretty solid otherwise.  Someone once pointed out the Duruflé influence; I will ALWAYS take that as a compliment.  In the realm of mistakes one can make on a Sunday, this is not the worst, so I present to you a piece well sung, but not perfect.

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Improvisation: Liturgical

I cut loose a little today.  There is sometimes (or self imposed, as is my case) difference between concert improvisations and liturgical improvisations.  Generally speaking, I reserve more traditional forms and styles for the liturgy, but today I went for a slightly freeform postlude based on the chant Lauda Zion.  It was the last Sunday the choir sang and I figured it was time for a bang.  A small bang at least.

I can certainly go more tonally crazy than this, but this is a liturgical improv on Pittsburgh’s South Side.  One doesn’t need to go full France-1960 and I’ll leave it at that.  There’s a bit of noise in the background, but hey, it is a postlude.  Enjoy!

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Improvisation: Liturgical

Now that I’m done teaching for the semester and the choir season has ended, Ive had a bit more time to do things like, well, post on this blog!  Another example of catching up, I’ve updated the list of compositions.  It’s rather huge – I apparently hadn’t looked at it recently.  I had a chance to catalogue it all and get it edited and ready for public consumption.

Today’s improvisation is an attempt, emphasis on attempt, to do something more in the style of Vierne.  One of the fun aspects of improvisation is trying to mimic those you admire most.  It, in turn, also has an affect on my compositions as I learn about new things I like to hear and incorporate.  The one thing that is missing, is a chromatic sequence of some kind.  Maybe next time!