Today I present a piece from my work titled “Organbook.” The Organbook was created in the manner that many other keyboard composers have done, namely, 24 pieces in the 24 keys. The other guideline I gave to myself was keeping the work for manuals. Honestly, writing that many pieces and keeping them all unique and different from the rest was a challenge. “Fanfare,” presented here and performed by Carson Cooman, is written in the second mode of limited transposition, also known as the octatonic scale. I often think as a teacher and many of the pieces present some sort of compositional idea. It’s short, but it makes its point.