In my life and career as a composer, particularly an organist composer, I really haven’t written a whole lot of works on chorales. A big part of that is I’m not wholly interested in using predetermined compositional material as a part of the composition process. I certainly have before, both in choral and organ works, but generally, my primary interest is in creating something new. But one thing I think is important is creating works that are easier and accessible to more people and sometimes that means crossing into spaces that I don’t usually.
Which comes to the Chorale Preludes and Postludes that I’ve put up on IMSLP! It has been a little while since I have posted a new set and it is time that I did. I’ve actually had the fourth set in the queue for a little while and with this current Easter season, it seemed timely to get it out. Granted, the release of it hasn’t been as timely for the Easter season as I would have liked, but it is out when it is out. Keep an eye out as I will have another set or two soon!
While I say that I do not like using pre-existing material for compositions, there are hymn tunes and chants that I adore. One of those is the tune GELOBT SEI GOTT – the Alleluia at the end of each verse is really awesome! To the earlier point about accessible works, this particular setting is for potentially manuals only. I personally love using multiple manuals and this piece touches on that ever so slightly. But, it is also possible to do this all on a single manual. You’ll hear in my recording where the two manuals overlap – there is even room for the solo to end up in the pedals.
Last thought here: as a composer it is a challenge to write music that has solid flow while being presented in a simple manner. I really like this setting (not that I dislike the other two in the set) as it utilizes the organ instrument in a fun and unique way while also being generally accessible. Click here for the score (go to Chorale Prelude and Postludes IV) and here is my recording of the second of those pieces: